DAYSH

Concept

The beginning of the relationship. DAYSH and the Male Love Interest share a close, tender moment — the warmth before the breakdown. This scene establishes the emotional stakes for everything that follows.

Vibe

Reference

Sasha Keable - Act Right

Camera Direction

Warm golden-brown tint. Directional warm light from one side creating cinematic shadow. Medium shots and close-ups. Slightly confrontational framing — intimate and direct. Subtle handheld movement.

Props & Equipment

• —Warm practical lighting
• —Sofa / rug dressing

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

The breakdown of communication. DAYSH and the Male Love Interest are physically in the same space but emotionally miles apart — no eye contact, no conversation, just silence and distance.

Vibe

Reference

Sasha Keable - Act Right

Camera Direction

Same warm-toned visual language as Scene 1 but the spatial dynamics flip. The gap between the two subjects in frame is the key compositional element. Wider shots to show the distance. Slow push-in on DAYSH's face for the close.

Props & Equipment

• —Sofa / room dressing
• —Phone (optional prop for DAYSH)

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

A volatile, explosive argument between the Male Love Interest and the Female Love Interest inside and immediately outside a parked Audi Q8 at night. DAYSH does not appear in this scene.

Vibe

Reference

Wretch 32 - His and Hers (Perspectives)

Camera Direction

Moody, high-contrast night lighting. Anamorphic lens flares from street lights. Tight close-ups on facial expressions inside the car. Claustrophobic interior framing. Scene spills outside — wider shot as they exit the vehicle.

Props & Equipment

• —Audi Q8
• —Cinematic lighting rig
• —Anamorphic lens

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

DAYSH is deeply depressed after a night out — still in yesterday's clothes, smudged makeup, heavy and lethargic. A solo, isolated scene capturing the weight of emotional exhaustion.

Vibe

Camera Direction

Overhead shots looking down at DAYSH on the bed. The Decadent Room's dark, dramatic interior frames the scene. Low, warm, moody practical lighting from the room's existing fixtures. Slow push-in. Tight on the face for the close.

Props & Equipment

• —Hotel bed (Crazy Bear Decadent Room)
• —Smudged makeup look
• —Going-out outfit from previous night

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

DAYSH burns rose petals and mementos in a metal fire bin outside. A cathartic act of release — letting go of the relationship. Shot at night for maximum visual impact from the flames.

Vibe

Camera Direction

Night exterior. The fire bin is the primary light source — warm, flickering orange light on DAYSH's face. Tight close-ups of hands dropping items into the fire. Wide shot showing DAYSH against the night sky with the flames. Slow motion on the burning petals.

Props & Equipment

• —Metal fire bin
• —Rose petals
• —Mementos (photos, letters)
• —Fire safety kit — bucket of water + fire blanket

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

DAYSH fully submerged in a bath, looking up at the camera. A moment of complete vulnerability — washing away the past. The final narrative beat of the visualiser.

Vibe

Camera Direction

Overhead camera rig positioned directly above the bath. Looking straight down into DAYSH's face. The copper bath and rose petals frame the shot. Candles around the bath provide warm, flickering light. Slow zoom out to reveal the full Decadent Room.

Props & Equipment

• —Rose petals in water
• —Candles
• —Overhead camera rig
• —Waterproof makeup

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

DAYSH is in the studio loft living area surrounded by friends who are laughing and having a good time, but she is completely unbothered and checked out — not engaging, not reacting. The contrast between their energy and her blank presence is the visual hook for the reel.

Vibe

Camera Direction

Wide shots to show the contrast between DAYSH and the group. Close-ups on DAYSH's blank expression while the friends are animated in the background. Handheld, social-feeling movement. Reel-ready framing — vertical crop considered.

Props & Equipment

• —Drinks / glasses
• —Uniform wardrobe for extras

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

Dynamic performance shots captured from inside a moving vehicle, specifically utilising the sunroof for unique framing. DAYSH performing through the sunroof as the car moves.

Vibe

Camera Direction

Camera inside the car looking up through the sunroof at DAYSH. Magic Arm rig for exterior angles. GoPro or second camera for interior wide shots. Natural light — golden hour preferred for warmth.

Props & Equipment

• —Car with sunroof
• —Magic Arm rig
• —Sunglasses

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

A static, slow dynamic zoom on DAYSH performing. The only thing that changes in the frame is the sunglasses — multiple pairs, multiple looks, same energy. Beat-driven cuts.

Vibe

Camera Direction

Tripod locked off against the white brick wall. Slow zoom in between cuts. Each cut is a different pair of sunglasses — same position, same energy. Beat-synced editing in post.

Props & Equipment

• —Multiple sunglasses (4–6 pairs)
• —Tripod — locked off

Talent — Styling, Makeup & Emotion

Location

Visual Reference

Concept

A highly stylised, slow-motion shot of a drink being poured — focusing on the liquid, the glass, and the hands. Premium cinematic B-roll for the visualiser.

Vibe

Camera Direction

Slow-motion setting on camera. Tight on the glass and the pour. Multiple angles — overhead, side-on, close on the liquid. The kitchen island as the surface. Clean, minimal framing.

Props & Equipment

• —Crystal glassware
• —Champagne or spirit of choice
• —Kitchen island as surface

Talent — Styling, Makeup & Emotion

Location

Visual Reference