Schedule
| 10:00 | DAYSH arrives — hair, makeup and getting ready begins |
| 11:30 | Crew arrive — loft setup begins |
| 12:00 | General call — Moe Koroma |
| 12:30 | Scene 1 — The Intimate Scene |
| 13:30 | Scene 2 — The Disconnected Scene |
| 14:15 | Afiya Muir arrives — wardrobe change |
| 14:45 | Scene 3 — The Argument |
| 15:30 | Moe Koroma wrap |
| 15:45 | Scene 7 — The Detachment (Friends ×3 arrive) |
| 16:30 | Scene 9 — The Glasses Match Cut |
| 17:00 | Scene 10 — Pouring the Drink |
| 17:30 | Scene 8 — The Driving Scene (Golden Hour) |
| 18:30 | Day 1 Wrap |
Location A
Artist Warehouse Loft
Scene Requirements Summary
| # | Scene | Type | Talent | Key Props |
|---|---|---|---|---|
| 01 | The Intimate Scene | Narrative | DAYSH, Moe Koroma | Warm practical lighting, Sofa / rug dressing |
| 02 | The Disconnected Scene | Narrative | DAYSH, Moe Koroma | Sofa / room dressing, Phone (optional prop for DAYSH) |
| 03 | The Argument | Narrative | Moe Koroma, Afiya Muir, DAYSH | Cinematic lighting rig |
| 07 | The Detachment | Social Content | DAYSH, Friend 1, Friend 2, Friend 3 | Drinks / glasses, Uniform wardrobe for extras |
| 08 | The Driving Scene | Social Content | DAYSH | Car with sunroof, Magic Arm rig |
| 09 | The Glasses Match Cut | Social Content | DAYSH | Multiple sunglasses (4–6 pairs), Tripod — locked off |
| 10 | Pouring the Drink | Social Content | DAYSH | Crystal glassware, Champagne or spirit of choice |
Scenes — Day 1
The Intimate Scene
15 Prince Edward Road, London — Living Area
Concept
The beginning of the relationship. DAYSH and the Male Love Interest share a close, tender moment — the warmth before the breakdown. This scene establishes the emotional stakes for everything that follows.
Vibe
Reference
Sasha Keable - Act Right
Camera Direction
Warm golden-brown tint. Directional warm light from one side creating cinematic shadow. Medium shots and close-ups. Slightly confrontational framing — intimate and direct. Subtle handheld movement.
Props & Equipment
- —Warm practical lighting
- —Sofa / rug dressing
Talent
Location
Visual Reference
The Disconnected Scene
15 Prince Edward Road, London — Living Area
Concept
The breakdown of communication. DAYSH and the Male Love Interest are physically in the same space but emotionally miles apart — no eye contact, no conversation, just silence and distance.
Vibe
Reference
Sasha Keable - Act Right
Camera Direction
Same warm-toned visual language as Scene 1 but the spatial dynamics flip. The gap between the two subjects in frame is the key compositional element. Wider shots to show the distance. Slow push-in on DAYSH's face for the close.
Props & Equipment
- —Sofa / room dressing
- —Phone (optional prop for DAYSH)
Talent
Location
Visual Reference
The Argument
15 Prince Edward Road, London — Interior
Concept
A volatile, explosive argument between Moe and Afiya inside the warehouse loft. Moe is trying to leave while the argument escalates between them. DAYSH is present in the background, watching it all unfold almost as a fly on the wall. She is still, detached, observing the chaos around her without intervening.
Vibe
Reference
Wretch 32 - His and Hers (Perspectives)
Camera Direction
Three layers to cover: (1) The argument — tight handheld close-ups on Moe and Afiya, cutting rapidly between their faces as the tension escalates. Moe always angled toward the exit. (2) DAYSH in the background — wide shots that keep her visible but out of focus, watching. Occasional slow push-in on her face as she observes. She is the still point in the chaos. (3) Cutaways — hands, the door, objects in the room. High-contrast interior lighting using the loft's existing practicals. Wretch 32 His & Hers energy — raw and real.
Props & Equipment
- —Cinematic lighting rig
Talent
Location
Visual Reference
The Detachment
15 Prince Edward Road, London — Living / Social Area
Concept
DAYSH is in the studio loft living area surrounded by friends who are laughing and having a good time, but she is completely unbothered and checked out — not engaging, not reacting. The contrast between their energy and her blank presence is the visual hook for the reel.
Vibe
Camera Direction
Wide shots to show the contrast between DAYSH and the group. Close-ups on DAYSH's blank expression while the friends are animated in the background. Handheld, social-feeling movement. Reel-ready framing — vertical crop considered.
Props & Equipment
- —Drinks / glasses
- —Uniform wardrobe for extras
Talent
Location
Visual Reference
The Driving Scene
Moving vehicle — sunroof shots
Concept
Dynamic performance shots captured from inside a moving vehicle, specifically utilising the sunroof for unique framing. DAYSH performing through the sunroof as the car moves.
Vibe
Camera Direction
Camera inside the car looking up through the sunroof at DAYSH. Magic Arm rig for exterior angles. GoPro or second camera for interior wide shots. Natural light — golden hour preferred for warmth.
Props & Equipment
- —Car with sunroof
- —Magic Arm rig
- —Sunglasses
Talent
Location
Visual Reference
The Glasses Match Cut
15 Prince Edward Road, London — White Brick Wall
Concept
A static, slow dynamic zoom on DAYSH performing. The only thing that changes in the frame is the sunglasses — multiple pairs, multiple looks, same energy. Beat-driven cuts.
Vibe
Camera Direction
Tripod locked off against the white brick wall. Slow zoom in between cuts. Each cut is a different pair of sunglasses — same position, same energy. Beat-synced editing in post.
Props & Equipment
- —Multiple sunglasses (4–6 pairs)
- —Tripod — locked off
Talent
Location
Visual Reference
Pouring the Drink
15 Prince Edward Road, London — Kitchen Island
Concept
A highly stylised, slow-motion shot of a drink being poured — focusing on the liquid, the glass, and the hands. Premium cinematic B-roll for the visualiser.
Vibe
Camera Direction
Slow-motion setting on camera. Tight on the glass and the pour. Multiple angles — overhead, side-on, close on the liquid. The kitchen island as the surface. Clean, minimal framing.
Props & Equipment
- —Crystal glassware
- —Champagne or spirit of choice
- —Kitchen island as surface
Talent
Location
Visual Reference
